I collaborated with art director Lauren Fenton on the sculptural centerpiece of the Singularities MFA Thesis Show: a 14ft tall fluted light column, built from PVC tubing and fabric.
February 8, 2012I collaborated with art director Lauren Fenton on the sculptural centerpiece of the Singularities MFA Thesis Show: a 14ft tall fluted light column, built from PVC tubing and fabric.
February 8, 2012Dendritix Rules This locative game was designed in collaboration with Jeff Watson, Juli Griffo, and Ed Yee. It requires partners to collaborate via mobile phones as they navigated through physical and virtual worlds. One player navigates a text-based MUD modeled after the real-life rooms of the play space while the other navigates through physical space…. Read more »
This project consists of a series of workshops designed to explore new models of live audience interaction. I am interested here in tinkering with the interactional rule-set of audience-performer-interaction. In November of 2011 I collaborated with Kevin Driscoll and A. J. Patrick Liszkiewicz on a workshop titled Occupy this Seminar. The approach here eschews technologically… Read more »
I was a collaborator on 6under60, an installation at the Shenzhen Urbanism/Architecture Bienanale in 2011. As a key member of the interactive design team, I directed recruitment and outreach to our collaborator cities, led design of the metadata architecture for both installation and web interfaces, co-designed the concept and user experience of the installation and website, built a metadata collection interface,… Read more »
February 7, 2012The Movie Tagger project (a continuation of work described here and here) was initially inspired by a grand vision to parse and richly tag every movie ever made. With an eye toward exploring new models of folksonomic “expert-sourcing”, I set out to interview 12 film different scholars in order to adapt their research to metadata tagging schemas and… Read more »
An experimental shot in Japan, A Different Self? explores the identity transformations of bilingual speakers. Structured as a series of interviews shot shot in Japan in 2005, the piece revolves around a central question: “Are you a different person when you speak a different language?”
Completed for Phil van Allen’s New Ecologies of Things course at the Art Center, this project presents prospective interactants with a touch interface that doesn’t “want” to be touched. When touch screen interface devices are found in the wild, their shielding appendages haven’t been clipped yet. As you might expect, these appendages have to be… Read more »
I made this remix in January of 2006 when Youtube was still relatively new. I remember staying up late mesmerized by this new window onto our culture, and I recall being fascinated by the way that the ethos of online video in that particular moment seemed to reiterate so much of what I’d read about… Read more »
Inspired by my own experience as a liminal subject in Japan, this project explores the tensions between my sense of self as a foreigner in Japan and the image of the westerner in Japanese media. I focused especially on the issue of translation (or translational adaptation), as the piece was originally written in English and… Read more »
Set in the context of telecom immunity debates of 2007 and 2008, Secrets for Senators is a performative intervention in which intimate secrets are confessed over the phone to senators who support warrantless wiretapping. This work considers the current threat of pervasive surveillance and illegal spying as a kind of psychic violence inflicted by the… Read more »